Next Year in Lerin
2000, Beta SP, colour, 45 mins.

The stories of Macedonian children taken from their villages in Greece during the Greek Civil War. The Greek civil war has faded into history, but the Macedonian ‘children’ remain its forgotten victims.

Skin Deep
1997, Beta SP colour, 45 mins.

A tragi-comic portrait of Daniels’ Jewish Grandmother. Now 100 years old, she emigrated from Romania to England when she was 8.  Forbidden from marrying the man she loves she is forced into an arranged marriage then overwhelms her son with her suffocating love. Denying his homosexuality he escapes her into an early marriage.

Secret Heart
1994, 16mm colour, 25 mins.

Alice, Helen, Lynn and Julie have learning disabilities and it’s hard for them to communicate verbally.  Now they play Celtic harps and sing to live audiences.  For them, music says what can’t always be spoken; to feel what can’t otherwise be felt and creates a space where they will be heard.

Exiles
1991, 16mm, colour. 40 mins. 

Ruben House is a Jewish old people’s home.  Sixty people live intimately, side by side.  They measure their days by meal times where salt and sugar are passed reluctantly and pills are taken unwillingly; by keep fit classes and film shows; by Biblical quizzes whose answers are unknown, forgotten or irrelevant.

I’m In Heaven
1989, 16mm. Colour. 28 mins.

Rachel is Jewish. She lives alone in a council flat in a tower block. Never leaving the flat, she has retreated into a life of obsessive domestic routine.  When her mother dies Rachel becomes fixated with two men searching for treasure on the building site opposite.
Winner of best fiction film, Huesca Short Film Festival, Spain, 1990.

Description
1974, B&W, 16mm double screen, 37 mins.

Shot using two cameras, simultaneously filming the same subject, an exploration of the way we extract meaning from the process of describing, using a minimal and highly structured framework. Projected on non synchronised projectors on two screens, every screening creates new  relationship